Film as Racial Interstice: Temporalizing Film in 1920s Global Modernity

Tuesday, April 9, 12:30 p.m., FedEx Center 3009

Title: Film as Racial Interstice: Temporalizing Film in 1920s Global Modernity

Abstract:

In the early twentieth century, the anthropological function of film was carried out on the mimetic dimension of the gesture. Everywhere, from South America to East Asia, intellectuals and theorists addressed the increasing importance of the movies for the transnational transformation of embodied attitudes for modernization, usually highlighting the female body, which became a framework whereby the history of the present could be outlined as desire. Film carried the gestures necessary for modernization. This talk will look into film writings produced in and around the 1920s, in Japan and Brazil, which conveyed a fascination and dissatisfaction with the medium of film, in order to think the racialized temporality of the female Asian body through the temporality of the moving image—and vice-versa. Taking into consideration the circulation of the idea of modernizing as “whitening,” in light of debates happening in post-slavery Brazil on “yellow race,” I will argue that the dissatisfaction with film reveals a temporal inflection to a racial theory of spectatorship. The Asian or “yellow” female body functioned as a temporal figure of the interstice: at once a disputed waiting device for becoming white, in its global functioning, while also revealing the limits of cinema and of racialized social reproduction.

Bio:

André Keiji Kunigami (PhD, Cornell University) is a Carolina Postdoctoral Fellow in the Department of Romance Studies. Keiji’s work deals with questions of film and aesthetic theory, perception, and peripheral avant-gardes of the early twentieth century, in their intercrossing with scientific and political discourses. He is currently working on his first book manuscript, in which he examines the different ways that film produced a particular temporal understanding of the body, in places outside the so-called Western spaces in the 1920s and 1930s, focusing on Brazil and Japan.